Perhaps the biggest shift isn’t even updating ’70s-era job descriptions, style, and locations from 1975 to 2018, but that the star of “Condor” is the anti-Robert Redford. and digs into the American government’s questionable moral compass and ties to big business. “Condor” isn’t particularly political (yet), but it does shift from New York to Washington D.C. In Pollack’s film, every government agent is a suspect - even the mailman comes after Redford’s Joe Turner - and there’s plenty of reason to bring up similar institutional doubts in 2018. Is the agency after him? Is someone else? Who can be trusted? These paranoid questions are the same ones posed by the movie, and they’re certainly relevant today. He’s the only survivor, and now he’s got to figure out why his coworkers were killed and what he can do to save himself. But before he can firmly decide his future (and please skip to the next paragraph if you’re unfamiliar with the previous “Condor” book or movie), Joe’s clandestine station is attacked. That’s not exactly what he signed up for, but it does make him question his predetermined beliefs. His bosses tried to use a computer program he built years ago to suss out a terrorist threat and, because it worked, now they’re willing to keep misapplying the program in the future. ‘Succession’ Review: Episode 8 Makes Us Watch as the Poison Drips ThroughĪfter being called in by the top brass to help catch a suspected terrorist, Joe Turner (Max Irons) is done with the intelligence business.
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